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Ancient &
Modern: 11th January 2003 |
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Mrs Samira Ahmed,
an ex-university professor in Sudan, has launched a sex-strike in an attempt
to end the nineteen years of (un)civil war that have torn the country
apart. The newspapers went into their usual routines about Aristophanes'
Lysistrata (411 BC) - and, as usual, got it wrong. Then we are told that the comedy is really about 'the liberation of women'. But this is not true either. It is about the destruction of family life. The frustrated males do not immediately resort to prostitutes, nor the equally frustrated women to any passing potential lover. It is their spouses they all long for, and at the end of the play there is a celebration of restored family life and conjugal love. Finally, we are told that Lysistrata is a deadly serious 'anti-war' play which comments on 'the futility of war itself'. As one would expect, there is a major problem about how exactly one derives 'serious comment' from the illogical fantasies of comedy. The situation with which Lysistrata deals derives from contemporary political life, but that does not mean it is supposed to feed back into it (cf. Yes, Minister). But even aside from that debate, there is not one word in Lysistrata about 'the futility of war itself'. Lysistrata's aim is to force an end to this war, on equal terms for both sides, and a sex- strike was a good comic device for achieving this. It was, however, an impossible dream in real life, since Athens in 411 was pretty much on its beam ends, and Sparta would never have agreed to any peace except on terms that would have been wholly unacceptable to the Athenians. Good luck to Mrs Ahmed, but to end the civil war in Sudan will require more than a comic sex-strike (which can hardly work anyway if the men are away all the time fighting a war). On the other hand, if she could gain control of Sudan's finances ...
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